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Beloved, by Toni Morrison

Beloved, by Toni Morrison

Toni Morrison’s novel Beloved, which won the Pulitzer Prize in 1988, was inspired by the story of escaped slave Margaret Garner, who killed her own child when she and her family were about to be recaptured by slave-hunters. In an interview in the New York Times, Morrison says that while she became fascinated by Garner’s story, she also wanted to be free to create the character herself. ”Now I didn’t do any more research at all about that story. I did a lot of research about everything else in the book—Cincinnati, and abolitionists, and the underground railroad—but I refused to find out anything else about Margaret Garner. I really wanted to invent her life.”

Beloved seeks to answer the question: what would drive a woman to kill her own child? And what would her life be like afterwards?

The story starts about 18 years after the killing. Sethe, the mother, lives with one surviving daughter, Denver, in a house on the outskirts of Cincinnati, Ohio. A guest arrives—a former slave from Sweet Home, the plantation in Kentucky where they both had lived. Paul D. is astonished that Sethe’s house is apparently haunted: a red light appears from nowhere, and the house shakes, tossing furniture into the air. Paul D. manages to exorcise the ghost.

Soon after, a new visitor arrives at the house: a mysterious young woman who cannot tell them where she is from. She says only that her name is “Beloved.” This word is the only one Sethe had managed to get engraved on her dead daughter’s headstone, and it soon becomes apparent that the young woman is indeed the dead daughter come back.

The backstory comes out in fits and starts: the new, cruel overseer of Sweet Home, who spurred the slaves to escape; the separation of the slaves as their plans unraveled; the journey of the pregnant Sethe across the Ohio River to Cincinnati; and the event that caused her to murder her daughter and attempt to kill her other children.

The timeline of this novel is not linear, perhaps to reflect Sethe’s state of mind: she lives in the past with the crime she has committed, as well as in the present. Although clearly set in 1873, the story seems timeless, and the tense shifts occasionally from past to present. The point of view also shifts: from omniscient, to third person (Sethe, or Paul D., or Denver) to first person (Sethe’s inner thoughts).

Mystery is worked into the novel in a matter-of-fact way. Here is the first appearance of the being that calls herself Beloved:

A fully dressed woman walked out of the water. She barely gained the dry bank of the stream before she sat down and leaned against a mulberry tree. All day and all night she sat there, her head resting on the trunk in a position abandoned enough to crack the brim of her straw hat. . . . Nobody saw her emerge or came accidentally by. If they had, chances are they would have hesitated before approaching her. Not because she was wet, or dozing or had what sounded like asthma, but because amid all that she was smiling.

Reading Morrison’s novel Beloved is a challenging but rewarding experience.

The Paying Guests, by Sarah Waters

The Paying Guests, by Sarah Waters

I’d never heard of Sarah Waters until very recently, and now I’m astonished that this enormously talented woman-centered author wasn’t already a favorite of mine! Now that I’ve read one book, I’m sure to read more by her.

The Paying Guests almost feels like three novels in one. It takes place over the course of several months in 1922 near London, with the same characters, but the book’s feel shifts from a light domestic drama to something much more intense and dark as the novel progresses. The plot of the novel takes a long time to get going, yet I was interested enough in the characters and their minor conflicts to keep reading. At about 200 pages, the plane is ready and fueled, and the story takes off.

The novel starts as a married couple arrive to live in rented rooms at the decaying home of Frances Wray and her mother. Frances is a single woman who frets about cleaning and cooking. But soon it comes out that she is not single by choice: she has given up her woman lover because the relationship upset her mother. She befriends Lilian, the wife. Their growing closeness is the subject of the first part of the book. In the second part, Frances and Lilian find themselves in a complicated situation and face a moral dilemma. The third part involves the consequences of their decision.

In an essay in The Guardian, Waters states that the novel is about “the negotiations that must be made by a passionate relationship as it braves the tangle of courage and cowardice, generosity and meanness, splendid ambition and awful misjudgment that constitutes ordinary life.” Waters succeeds in making 1922 feel “ordinary” – details of post-World War I life in London are worked in naturally, and I hardly felt I was reading a historical novel, so convincing was the setting. She also succeeds in making both Frances and Lilian ordinary in a complex, nuanced way. Their actions are believable and understandable given the situations they find themselves in.

My only complaint is that although the novel is over 500 pages long, when I got to the end I did not think the story had been resolved. I felt as if Lilian and Frances still had big decisions ahead of them. But perhaps that was by design: it is left to the reader to speculate on what they will do next, given what we know of their personalities and situations in life.