The title of this short novel could be read in multiple ways: “property” refers to the slave, Sarah, owned by the main character, a white woman named Manon. It could also refer to Manon herself, who is in a way the “property” of her husband. When Manon inherits her mother’s house, it is by law her husband’s property, since she “belongs” to him.
Property was first published in 2003 and won the Orange Prize for Fiction by a female author (now called the Bailey’s Women’s Prize for Fiction). It is told in first person through the voice of Manon, a middle-class Creole woman in Louisiana before the Civil War. As a reader, I had a complicated reaction to Manon. I felt sorry for her because of her marriage to a boorish, sadistic man, and I was rooting for her to find a way to escape from the marriage. But I also found her selfish and cold: she has little sympathy for Sarah, who is her husband’s mistress, and who is also searching for a way to escape – this time not just from one man, but from slavery itself.
The story takes place during a time of slave unrest and revolt. Manon is aware of the situation, but is mostly concerned with herself. The author, Valerie Martin, has created a complex character to allow the reader to experience, through Manon’s voice, what it would be like to be a white woman slave-owner. What contorted arguments would a woman like that have to believe in order to maintain the status quo? Yet as distasteful as Manon is, Martin manages to make her a sympathetic character. As a child, she lost her father. Because of her lack of wealth, she felt pressure to marry a man she didn’t love. She is not able to have children, but her husband fathers children with her own slave.
Each scene in this novella is rich with tension and layered with nuances of character.